Horror Films are unsettling films designed to frighten and panic. However, often some cause dread and, alarm while invoking our hidden worst fears. Often there is a terrifying or shocking finale which is both captivating and entertaining at the same time ending in a cathartic experience. Horror is not just jump scares and gore.
Mother of Movies review of ‘The Remaining’ (2014). Explore apocalyptic faith-based horror dissecting cinematic highs and frustrating lows with our signature dark wit.
In PUSH, a pregnant woman in an isolated house faces strangers, curses, and her own stubborn will. Streaming on Shudder, this indie horror favors mood over mayhem.
At Fantasia Fest 2025, Head Case turns influencer culture into a grisly farce. Spencer Zimmerman’s short is weird, sharp, and uncomfortably relatable.
28 Weeks Later is a cynical, heart-pounding horror film that explores the human cost of survival and the fragile nature of a society on the brink of collapse. This review from Mother of Movies gets into the unforgiving brutality and unexpected heroes of the Rage virus sequel. #28WeeksLater #HorrorReview
Ava Maria Safai’s horror debut explores Iranian teens’ supernatural possession through forced assimilation in 2004 Canada. Chilling identity horror.
Influencers, premiered at Fantasia Film Festival 2025, is the sequel to the 2023 cult smash by Kurtis David Harder. Cassandra Naud and Georgina Campbell deliver in a story of manipulation, influencer culture, and dark secrets. Mother of Movies talks about its cinematic nuances. #InfluencersMovie #ThrillerReviews
