From cursed 2020 streaming drops to throwback cult flicks of years past, this is your time machine through cinema. Click a year, pick a vibe, and fall down the rabbit hole of movie releases worth your time (or your rage).
In Bring Her Back (2025), the directors of Talk To Me return with a haunting foster horror soaked in grief, guardianship, and spiritual misfires. Sally Hawkins delivers an eerie, layered performance in a film that doesn’t always explain itself, but always knows how it wants you to feel.
n The Surfer (2024), Nicolas Cage returns home only to face spiritual and social exile from a brutal beachside cult. Set in a warped vision of Australia, the film unpacks toxic masculinity, ritualistic control, and identity collapse under the sun-bleached weight of the past.
Monster Island (2024) is a WWII survival horror film steeped in Malay folklore, where a Japanese soldier and British POW battle inner demons and an ancient monster. Directed by Mike Wiluan and streaming via Shudder, the film is a slow-burn descent into character-driven chaos, soaked in myth and moral ambiguity.
Hot Spring Shark Attack (2025) is a Japanese horror-comedy that blends absurdist shark attacks, spa tourism satire, and surprisingly competent filmmaking into a cult-worthy splash. Directed by Morihito Inoue and streaming via Utopia, the film flexes rubber sharks, weird science, and oiled-up heroes with comic finesse.
“The Rule of Jenny Pen” is an unsettling psychological horror featuring Geoffrey Rush and John Lithgow. In a New Zealand nursing home, a former judge must stop a twisted resident who uses a puppet to terrorize patients. Based on Owen Marshall’s short story, the film explores aging, justice, and institutional neglect with grimy cinematography and dread.
I’ll give Breaking Glass Pictures credit where it’s due; they struck while the iron was hot with that title. “Freak Off” captures the zeitgeist of current headlines surrounding certain hip-hop moguls, and honestly, kudos for getting there first with the provocative branding. The casting department also deserves recognition for finding look-alikes that genuinely hold merit;…
