“Talk on the phone. Finish your homework. Watch TV. Die.” A tagline that screams throwback horror… and means it. Ti West’s The House of the Devil opens like a ritualistic throwback to analog dread, and then bleeds into something darker. The opening shot? Dee Wallace appears before the title card. That’s how you whisper to…
Neon lights, alien infections, and desperate survival attempts collide in ASH (2025). Mother of Movies tackles this beautiful, bewildering sci-fi horror adventure with humor and a little sympathy.
Into the Deep (2025) splashes sharks, pirates & Richard Dreyfuss into 90 min of brain-off mayhem. Mother of Movies review dives into the chaos.
#sharkmovies #motherofmovies
Bloody Axe Wound (2025) delivers horror-comedy weirdness soaked in slasher tropes, teenage angst, and accidental romance. Don’t bail early, this one blooms late.
They said it would scare me silly, but Terrified unsettled me instead. With levitating bodies, undead children, and a whole lot of calm denial, this Argentine horror is more tonally fascinating than flat-out frightening. I wasn’t terrified, but I was deeply intrigued. #motherofmovies
Face-swapping isn’t just sci-fi anymore, Grafted delivers a vicious spiral of ambition, betrayal, and identity theft with a scalpel in one hand and no conscience in the other.
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