Paramount’s latest Australian series Fake plunges headfirst into the murky waters of love, deception, and the digital age. This eight-episode series is based on journalist Stephanie Wood’s memoir Fake: A Startling True Story. Anya Beyersdorf (The Black Hands, Fires) created the series. It is a train wreck of emotions.
The story is set against the backdrop of Melbourne and regional Victoria. Fake is led by Asher Keddie (Birdie Bell), who delivers a career-defining performance. She stars alongside David Wenham (Joe Burt) and Heather Mitchell (Margeaux).
The show opens with Birdie standing at the ocean’s edge as her voiceover echoes:
“Which of us encounters another human without a sack of history, experience, expression, delusion, or belief slung over our shoulder, burdening us to one degree or another?”
Quote from the Australian Paramount+ Australian Original Series
This poetic rumination sets the stage. The story delves into how our histories make us vulnerable to manipulation. It also exposes the potential for betrayal.
Table of Contents
The Premise: Love, Lies, and Deception
Birdie Bell’s life is a mosaic of family, career, and a yearning for connection. She has an ex-boyfriend planning a wedding, and a godchild she dotes on. But Birdie’s personal life feels incomplete, and societal pressures, like her mother’s admonition to “find someone with something, anything, to work with” push her towards internet dating.
Enter Joe Burt. Handsome, charming, and seemingly attentive, Joe embodies the dream partner. Yet, as their relationship progresses, tiny inconsistencies and subtle gaslighting emerge. Birdie ignores her instincts, drawn in by Joe’s love bombing and the intoxicating hope of romance. As someone who’s been burned by the “stop-start” dating process, I couldn’t help but notice how relatable Birdie’s journey was. Modern dating excuses provide the perfect camouflage for a con artist’s deceit. Factors like a child’s stitches and the demands of family life add to this deception. Watching Birdie’s slow descent felt like observing a hypnotic car crash; it’s impossible to look away, even as the red flags pile up.
Themes and Execution: The Weight of Trust
At its core, Fake poses the question: Why do we ignore red flags? Birdie’s journey is a cautionary tale about the dangers of placing trust in appearances. It’s a story of societal conditioning, where skepticism in relationships is frowned upon, and positivity is extolled as a virtue, even when it blinds us to reality.
The show’s brilliance lies in its depiction of the subtle erosion of Birdie’s boundaries. Joe’s charm isn’t overtly sinister but calculated. He meets her friends and family, projecting an image of the perfect partner. Birdie, like so many women, is taught to believe that questioning such gestures equates to mistrust. By the time she begins to unravel Joe’s lies, she’s already deeply entangled, having shared her life, vulnerabilities, and even a key to her home.
As a viewer, it’s hard not to feel frustrated at Birdie for ignoring the obvious. She’s smart, and self-aware, and even makes a pros-and-cons list, a strategy that only serves to legitimize Joe’s false promises. This detail struck a chord with me; it’s a reminder of how optimism can backfire, especially when weaponized by a manipulator. The warm glow of connection often clouds the red-flag radar.
Filming and Cinematic Touches
Filmed in Melbourne and the stunning locales of regional Victoria, the series leverages its setting to juxtapose the beauty of Birdie’s world with the ugliness of Joe’s deception. The cinematography captures Birdie’s inner turmoil through daydreams and flashbacks, overlaying romantic soundscapes with her focus on things going right.
A Story That Echoes Beyond the Screen
Fake isn’t just entertainment; it’s a mirror reflecting the vulnerabilities of modern dating. The parallels to series like Inventing Anna are evident, though while Anna’s cons were financially motivated, Joe’s manipulations are rooted in a deeper psychological need. The series carefully examines Birdie’s journey from trust to betrayal. It forces viewers to confront uncomfortable truths about the blurred lines between love and exploitation.
Birdie’s choices may seem baffling for those safely ensconced in their singlehood or secure relationships. But Fake isn’t about judging its protagonist; it’s about understanding the societal pressures and psychological forces that lead someone as smart and self-aware as Birdie into such a trap.
“A haunting exploration of love and deceit in the digital age, Fake lures you in with its charm and leaves you questioning everything.”
Fake 2024 TV Series is rated
4 Swipe left or don’t swipe at all out of 5.”
Main Cast:
- Asher Keddie as Birdie Bell
- David Wenham as Joe Burt
Supporting Cast:
- Janet Andrewartha as Kath Tovey
- Nicholas Brown as Anton
- Anne Charleston as Shirley Burt
- Heather Mitchell as Margeaux
- Ming-Zhu Hii as Kirsty
- Spencer McLaren as Tovey
- Jack Sandle as Connor
- Greg Stone as Peter Van Rotterdam
- Louisa Mignone as Peggy
Conclusion: The Red Flags We Ignore
As Birdie peels back the layers of Joe’s facade, she begins to see the cracks in her own choices. Her eventual decision to write an exposé on him serves as a powerful reclaiming of her narrative. It’s a moment that resonates with anyone who has ever questioned their instincts or felt duped by someone they trusted.
Fake is a must-watch for its unflinching exploration of modern love and the dangers of ignoring our inner alarms. It’s a series that lingers, not just as entertainment but as a warning: trust, but verify, and always listen to your gut.
Creator: Anya Beyersdorf
Source Material: Stephanie Wood’s Fake: A Startling True Story
Network: Paramount+ Australia
Location: Melbourne and regional Victoria
Fake TV Series Trailer
For more information and other ways to watch check out Screen Australia.
For light movies about sinister nannies watch Inconceivable or Deadly Illusions | For sociopath neighbors who aren’t who they say they are watch horror movies Ma 2019 or Heretic 2024.
Fake
Director: Anya Beyersdorf
Date Created: 2024-07-04 16:57
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