One-Man Army Films

The one-man army subgenre celebrates protagonists who face impossible odds alone, relying on skill, determination, and often a complete disregard for personal safety to overcome numerically superior enemies.

Unlike ensemble action films or superhero narratives, these stories focus on the visceral reality of a single individual pushed to their absolute limit.

The appeal lies in watching an underdog transform desperation into a weapon, using environment, improvisation, and sheer willpower to survive and triumph.

Key examples include:

John Wick (2014), where Keanu Reeves’ retired assassin cuts through criminal underworlds with balletic precision

Nobody (2021), featuring Bob Odenkirk as a suburban dad who unleashes dormant tactical training

Hardcore Henry (2015) uses a first-person perspective to immerse viewers in relentless combat.

The Raid (2011) and Dredd (2012) trap their protagonists in vertical battlegrounds, while Atomic Blonde (2017) and Peppermint (2018) prove the subgenre isn’t gender-specific.

These films share common DNA with revenge thrillers and siege narratives, but the defining characteristic is the protagonist’s isolation. No cavalry is coming, backups are opportunistic, and survival depends entirely on individual capability.

Modern entries like Kate (2021), The Night Comes For Us (2018), and Extraction (2020) continue evolving the formula, adding emotional depth and exploring the psychological cost of violence.

The subgenre thrives on practical stunt work, extended fight choreography, and protagonists who absorb punishment that would kill ordinary people, making their eventual victory feel earned rather than predetermined.

Novocain (2025) adds a unique twist by making the protagonist’s inability to feel pain both an advantage and a liability, demonstrating how the one-man army formula continues to find fresh angles within familiar territory.